Kondensator Stormembran

The original gold standard in affordable large-diaphragm condensers, plus a high-quality shock mount with integrated pop filter and 3-meter cable.

Everything you need to start recording - right now

The C414 XLS reference multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. The C414 XLS maintains the sonic character of the legendary C414 B-ULS, the most popular AKG C414 version since 1971. Engineered for highest linearity and neutral sound, it has been the most versatile large-diaphragm microphone for decades.

Stereoset consisting of two matched condenser largediaphragm microphones

Large diaphragm condenser microphone

Large Diaphragm ‘Duosonic’ / ‘Stereosonic’ microphone modeling microphone by Antelope Audio, suited for the manufacturer's real-time mic preamp modeling.

Edge Quadro is a game-changing stereo/surround modelling mic with two dual-membrane capsules and a rotating head. Delivering four channels for independent processing will allow for stereo techniques like M/S, X/Y, Blumlein, and even 3D sound. Users can select a different emulation and polar pattern for each head. The upper head can be rotated noiselessly even while the microphone is actively recording, delivering virtually limitless variations in tonality and stereo image.

Edge Solo is the simplest of the three Antelope modelling mics. Connecting via a regular mono XLR cable, it houses a single large-diaphragm capsule with a fixed cardioid pickup pattern. It’s specifically designed to work hand-in-hand with Antelope’s mic modeling plug-ins to emulate some of the greatest cardioid- pattern mics in history.

The Edge Strip is designed to model a variety of vintage microphones, preamps, and even signal processors such as EQs and compressors. It contains Antelope Audio’s renowned Edge Modeling Microphone — a dual-capsule condenser large-diaphragm microphone, specifically designed to reproduce the expressiveness and character of expensive classic microphones.

Stormembrans mikrofon tillverkad i Storbritannien, utvecklad i samarbete med professionella ljudtekniker och producenter.

Multi-Pattern kondensatormikrofon tillverkad i Storbritannien, utvecklad i samarbete med professionella ljudtekniker och producenter.

Stormembransmikrofon som klarar höga ljudtryck och kommer med 10dB dämpsats och 80Hz högpassfilter.

Studioljud och liveljud i en och samma hand-mikrofon. VX10 kan användas både på sång och instrument. VX10 anses vara drottningen bland handhållna vokalmikrofoner. Detta är en kondensator mikrofon mad cardioid kapsel – 21 mm guldpläterad kapsel med inbyggt puffskydd. Denna mikrofon har en dämpad utgångssignal för att kunna kontrolleras bättre vid starkt scenljud och då man använder in-ear-monitor. VX10 kan med fördel också användas som instrumentmikrofon för gitarrer, blåsinstrument, percussion, overheads, hi-hats och piano.

En professionell premium mikrofon för sång. Denna kondensator mikrofon är en av de absolut bästa och mest prisvärda. Med ultra-klart klingande diskant och förmågan att återge studiokvalitet på scenen har Audix revolutionerat livemusik marknaden genom lanseringen av det nya flaggskeppet VX-5. VLM ™ (Very Low Mass) membranet har ett mycket rent och naturligt ljud med suveräna transientsvar. VX-5 har ett 14 mm guldpläterat membran, en akustisk anpassad stål grill med motståndskraft mot feedback med inbyggt vindskydd (pop-filter) och -10 dB pad och bass roll-off-filter. VX5 kan hantera ljudtryck över 140 dB (med pad och roll-off-filter anslutet), och ger mer än 20 dB sänkning av omgivande buller från scenen. Alla VX-5 testas noggrant av Audix i egna fabriken i Oregon USA innan de packas för försäljning.

Stormembrans kardioid kondensatormikrofon med handgjord CKR12 keramisk kapsel som baseras på världskända CK12-kapseln. Analogt högpassfilter med tre inställningar och analog dämpning. Levereras med shockmount, mikrofonhållare och vindskydd.

Stormembrans kondensatormikrofon Limiterad startutgåva med Studio Pack (shockmount, mini XLR, mikrofonhållare och vindskydd) plus puffskydd och väska.

The Bock Audio 47 is a high quality cardioid directivity studio condenser microphone utilizing vacuum tube electronics. Utilizing the U47 format, originally built in the 1950's,this mic takes that platform and expands the electronics bandwidth. It utilizes it's own proprietary cable and power supply. The microphone's audio output is standard male XLR3, with positive excitation of the diaphragm at the front of the mic resulting in a positive voltage at the output XLR's pin 2. Audio output is fully transformer balanced.

PHANTHERA The Phanthera is the impressive proof that a phantom powered non-tube microphone can sound amazingly close to a real tube microphone. With the Phanthera, Brauner expanded its product portfolio to include a reference quality microphone which could stand beside the sound characteristics of the coveted tube models VMA and VMX. The results speak for themselves. Experience vocal recordings with an intensity and liveliness never heard before. The particular sound of a sonic event is highlighted in a subtle manner. Totally unobtrusively, almost imperceptibly, it creates finely elaborate and highly nuanced sonic details. Narration recordings also have clear gains in proximity and plasticity. So you instantly have a result with convincing quality without time-consuming postproduction. Instrumental recordings with the Phanthera stand out due to the enormous detail resolution and first-class transient response. The Phanthera clearly represents a further milestone in the art of microphones.

PHANTHERA V The Phanthera V impresses with the same qualities as its cardioid only counterpart, bringing along a lively and intense sound quality and highlighting the sonic aspects of the source material in a subtle manner. In addition to the cardioid directivity, it also allows to record in omni or bidirectional mode with a simple switch and thus adapting it to different recording situations. Using the omnidirectional characteristics, ambience as well as soloists or even big orchestras are captured true-to-life because the sonic environment is also authentically reproduced. For simultaneous stereo recording with a second microphone in XY or MS configuration bidirectional characteristics are available. An additional switchable attenuator reduces the output level of the microphone by 10 dB, providing further valuable dynamic range where necessary. This makes the Phanthera V a versatile professional tool for almost every recording situation.

PHANTOM CLASSIC The Phantom Classic, like its predecessor the Phantom C (Cardioid), embodies reduction to the absolutely essential without compromise in performance. The design philosophy of this large diaphragm FET microphone - which works purely in cardioid characteristic, guarantees a sound quality otherwise found only in our tube microphones. Its capsule is based on the ideal of the VM1 giving the Phantom C a very natural and pristine sound character. The Phantom_x0019_ s success was most recently augmented through the release of the limited edition Phantom AE (anniversary edition). This edition was released to mark the occasion of the company_x0019_ s 10-year anniversary and was comprised of 1000 nickel colored as well as 1000 black microphones. After the paramount success of the limited Phantom anniversary series, we now deliver the legitimate successor of the Phantom C with the Phantom Classic. The Phantom was nominated for TecAward in 2003 and received various awards by associated audio magazines.

PHANTOM V The Phantom V (variable) as a phantom powered large diaphragm FET microphone was the next logical development step in keeping with our product philosophy. It was developed based on the circuit design of the VM1 and also utilizes its capsule as well. Small differences can mean a lot in a recording environment, whether it is the freedom to choose the most suitable directional characteristic (omnidirectional, cardioid or bi-directional), or to expand the dynamic range by 10 dB in case it becomes louder than expected. Stepping aside and leaving the limelight to others, allowing the necessary room for the sound event to fully unfold and become a sound experience. The Phantom V is a microphone in the best Brauner tradition. If you are looking for a unique microphone with its own unique character, look no further than the Phantom V. As the first of Brauner_x0019_ s phantom powered microphones, the Phantom V offers maximum application flexibility and is therefore useful in a variety of situations.

VALVET X PURE CARDIOID Have you ever experienced a real great tube microphones breathtaking intimacy? Have you ever noticed its charming detail and inspiring presence? If so, you will know that these attributes come at a price. - Introducing the Valvet X, Brauner releases a dedicated cardioid only microphone which really unites these precious attributes within a microphone unparalleled in its class and pricepoint. The Valvet X offers all of the german craftsmenship and technical perfection that made Brauner Microphones world famous. Only finest materials make it into a Brauner. Our engineers sculptured the sonic character of the Valvet X in great detail, performing hours of extensive listening tests to yield a result that will definitely floor you. Its prestine and silky black finish also makes it a real eyecatcher. If you're looking for the real thing - here you go!

VM1 The VM1 was the fulfillment of Dirk Brauner_x0019_ s dream to build his vision of the perfect sounding tube microphone. A microphone that captures the spirit of the classic vintage tube microphones and at the same time, meets the high technical standards of today_x0019_ s modern microphones. The VM1 was awarded the SSAIR Award in 1998, marking the beginning of a tradition of excellence in design philosophy, engineering and precision. In our humble opinion, no other microphone has played a greater role in the renaissance of the tube microphone. As the archetype of all Brauner microphones it continues to serve as the inspiration for all Brauner products. The VM1 has a completely natural, modern sound with the highest resolution of sonic detail. Its transparent open character is predestined for vocal and instrumental recordings and is the first choice microphone of top artists and sound engineers all over the world. The power supply of the VM1 allows infinite adjustments of the directional characteristics as well as a 10 dB reduction through a switchable attenuator.

PURE CARDIOID The "pure cardioid" series was started in late 2008 when we released the Valvet X pure cardioid which also completed the charming sounding microphones with a counterpart to the natural sounding Valvet. Just in time for the Musikmesse fair 2009 we are now going to release "pure cardioid" models of VM1 and VMX microphones. VALVET X PURE CARDIOID " VM1 PURE CARDIOID " VMX PURE CARDIOID Continuing the "pure cardioid" series we distill the essence of our successful tube microphones VM1 and VMX into two new models with a cardioid pattern only. Keeping the well-known high-class look & feel, these two new microphones show their exceptional qualities in solo recordings and achieve an even better self noise due to their fixed pattern. Theirattractive price appeals to home studio enthusiasts all the way to the most demanding audio purists who do not require the variable patterns offered in the classic VM1 or VMX, and simultaneously make no compromises in sound quality. All "pure cardioid" microphones are shipped in a sturdy aluminium case with power supply, VOVOX TubeLink cable and an elastic suspension.

VM1S The VM1S is the stereo version of the VM1. It is currently, without doubt, the most intricate of all Brauner microphones. It unites two identical VM1 microphones, precisely matched to each other, in a single housing. It is a design that answers every wish of a stereo microphone. The VM1S enables control of the directional characteristics of both microphones even though they are in the same housing. This unique approach allows independent usage of each microphone, through separate internal power supplies thus enabling the VM1S to be used as a single microphone. Moreover, when used in stereo mode the highest possible crosstalk rejection is also achieved. The range of its applications is therefore extremely wide. Whether it is used as the main microphone in classic MS or XY configurations, or as a stereo microphone for the recording of a soloist, choir or instrumental soloist, the VM1S is equally up to the task. Experience the finest tonal details, more naturally and alive than you ever have before. Experience one of the world_x0019_ s greatest microphone legends in stereo!

VMA More realism or rather more character in the reproduction? Normally a question such as this implies a choice between two completely different microphones. This question is no problem for the VMA, it unites these two basic sound characters in one. Through simple switching, you can select between the very natural transparent sound of the VM1 or the markedly full character sound of the VMX, thus you actually have two different Brauner microphones in one single body enabling in essence the sound of a VM1 or a VMX. In the development of the VMA, valuable feedback and input on the tonal qualities of the microphone from some of the world_x0019_ s most highly regarded sound engineers was incorporated. The VMA thereby represents the essence of more than 10 years experience with our flagship model, the VM1. Paired with the possibility of switching to the VMX mode, the VMA is an outstanding achievement in tube microphone design. The adjustments of the directional characteristics, as in the VM1, are infinite and therefore enable superior flexibility. The VMA marks a milestone in modern microphone technology.

VMXWhereas the VM1 represents the natural sounding part of the VMA (which combines two microphones in one), the VMX offers the full character sound of the VMA in a single microphone and yields highest detailed resolution with a soft and silky top end. Slight accentuation of the low mid and bottom end as well as a soft upper mid range grant this reference quality tube microphone a unique and completely charming sonic character. The VMX excels in vocal and narration recordings through its well-balanced tonal appearance and pleasant proximity. It adds its own character without recognizably tainting the sound source. The VMX is also eminently suitable for instrumental recordings, through the reproduction of the finest details giving string instruments for example the noticeable appearance of vicinity and warmth. Maximum flexibility in the fine-tuning of the respective recording is achieved through the possibility of infinitely adjustable directional characteristics.

PURE CARDIOID The "pure cardioid" series was started in late 2008 when we released the Valvet X pure cardioid which also completed the charming sounding microphones with a counterpart to the natural sounding Valvet. Just in time for the Musikmesse fair 2009 we are now going to release "pure cardioid" models of VM1 and VMX microphones. VALVET X PURE CARDIOID " VM1 PURE CARDIOID " VMX PURE CARDIOID Continuing the "pure cardioid" series we distill the essence of our successful tube microphones VM1 and VMX into two new models with a cardioid pattern only. Keeping the well-known high-class look & feel, these two new microphones show their exceptional qualities in solo recordings and achieve an even better self noise due to their fixed pattern. Theirattractive price appeals to home studio enthusiasts all the way to the most demanding audio purists who do not require the variable patterns offered in the classic VM1 or VMX, and simultaneously make no compromises in sound quality. All "pure cardioid" microphones are shipped in a sturdy aluminium case with power supply, VOVOX TubeLink cable and an elastic suspension.

Chandler Limited REDD Microphone

The Chandler Limited TG Microphone is a solid-state large Diaphragm condenser microphone with built-in EMI’s Tape Equalizer found on the original TG12410 transfer consoles.

The classic 635A live interview wired microphone is the most popular (ENG) electronic news gathering mic in the world. It delivers great sound and is known as “The Buchanan Hammer”—a nod to EV’s ancestral Michigan home—for its rugged durability. Also available in black (model: 635A/B).

Large Diaphragm Tube Microphone

Studio Tube Large Diaphragm Condenser Microphone

Stormembrans kondensatormikrofon i kompakt design. Inkl. hållare, stativ och kabel.

The C715 uses a single large diaphragm with an adjustable rear vent, allowing selection of omni or cardioid.

Korby KAT System Inkl 47 Kapsel!

Professional USB Microphone With Switchable Polar Patterns and Headphone Output

Manley REF-C Mikrofonen som byggde det svenska popundret! Det är nog lättare att räkna upp vilka hits under 90-talet som inte gjordes med en Ref-C än dom som gjorde det. Stormembran, rör, njurkaraktäristik. Kaxigt ljud!

Based on the legendary 1950s Sony C-37A, the Reference Silver has an alluringly rich, warm, and creamy sonic character that rivals the best ribbons. It features cardioid and omnidirectional polar patterns, switchable from a novel mechanical selector on the rear of the head basket.

Extremt prisvärd stormembransmikrofon. Perfekt för den lilla hemmastudion.

Högkvalitativ stormembransmikrofon med noggrant utvalda komponenter.

The DC-196 Platinum Edition celebrates the 75th anniversary since Milab founder Rune Rosander opened his first microphone business in Stockholm in 1941. The microphone comes in a gorgeous "Neptune Blue" Nextel® finish and is shipped in a custom designed wooden box.

Broadcast microphone with a condenser capsule and a functionally optimized design, featuring integrated pop protection, suppression of structure-borne noise and a cardioid directional characteristic.

The first Neumann microphone with a dynamic capsule. Functionally optimized design specifically for the broadcast field, featuring integrated pop protection, suppression of structure-borne noise and a hypercardioid directional characteristic.

Audio-Technicas mest prisvärda stormembransmikrofon AT2020 är i en klass för sig med sin fantastiska frekvensåtergivning. Med ett överlägset transientsvar i en robust konstruktion erbjuder AT2020 ett brett dynamiskt omfång och klarar högt ljudtryck.

AKG’s legendary C 414 needs no introduction – it is a tool found in most recording studios and has been used on thousands of hit records it’s been on stage with artists of every musical genre and is also used by leading broadcast facilities the world over.For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance. The C 414 family has been one of the world’s most widely-used and respected studio and stage microphones in audio history. AKG has continually set new benchmarks for useful features, improved technical specifications and ease of use to answer requests from ever-demanding recording studios, broadcast stations and audio engineers.

The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. A peak hold LED displays even the shortest overload peaks. For live-sound applications and permanent installations, all controls can easily be disabled for trouble-free use. The C414 XLII version differs from the C414 XLS version in one major respect – the capsule. The C414 XLII's slight presence boost and impressive spatial reproduction are both similar to the legendary AKG C12 microphone from 1953.

First class components, excellent dynamics and exceptionally low self noise exemplify Brauner microphones. This of course, holds true for the Valvet, a tube microphone based on the already legendary VM1, which provides a unique, finely balanced character.Our objective with the Valvet was to create a tube microphone that would be ideally suited to be used as a spot microphone through small construction and the use of a newly developed microphone suspension. The Valvet produces excellent recordings even under difficult acoustic conditions due to its directional characteristics, leaning slightly towards hyper-cardioid while maintaining a high level of back rejection. In omni though, it becomes the perfect choice for ambience recordings. In 1999, the Valvet received the SSAIR Award for best microphone in its category as the VM1 did the year before. The Valvet, boasting the same naturalness and openness as the VM1, produces recordings with wonderful spatial qualities and pleasing proximity and warmth. The Valvet uses the most common directional characteristics - omni and cardioid - and has a phase reverse switch for the use with non-standard pre-amplifiers.